All change.


It is with regret I announce I will be leaving my post as manager of the Gold Room Gallery at the end of this month. I have had so much fun and learnt a great deal but it’s time to move on.
I have some other projects I want to work on as well as devoting more time to my toy making.
I am also planning on writing a book about raising a child with severe autism, not a sad weepy book but a kind of creative guide.


In other news we are planning on moving house as our landlord is selling in June so it’s all systems GO! I do hope I find a nice home to move to. As always life is filled with changes, disruption and chaos, I think I have learnt that is what life is, it never seems to be peaceful and stable. Acceptance has become the buzzword of the Lapin household.


Here is a list of things making life a bit brighter at the moment:

The music of Best Coast, Pavement, Real Estate, Harlem, Thee Oh Sees, King Khan and the BBQ Show, Metronomy and Grimes.
Cherry Cola
Fab Lollies
Oh Comely magazine
Tie Dye clothing
Vintage fabric
Homemade Pizza
Watching Mad Men, Arrested Development and Game of Thrones.



An ode to currency

Being a single parent is hard work, being a single parent, running a gallery and making less than minimum wage as an artist is really hard.
I’m not moaning, I have a roof over my head and lots of love and friends to support me. I have to say though that jobs are thin on the ground and even the jobs that are out there you are competing with maybe 200 people for one supermarket job.
In some ways there has never been a better time to be creative, I know plenty of people that when faced with no job they have created one for themselves, myself included.
You might not make any money for a long time but the sense of self worth is priceless.
Also as a creative you are expected to work for free a lot of the time. If anyone designs us a poster for the gallery as a favour I feel so grateful because I know that if I was ‘client’ I could pay them and it would buy a weeks groceries.
Stop and think about the worth of creativity.
Learn to value yourself, stop and think about your worth. Only then will you have pride in what you produce.


A city and a home.

I can’t explain how passionate I am about culture, it is after all a mirror of society. It tells us more about ourselves then we would ever know or dream of. Collectively music, art, literature and performance form a big fractured picture, if we assemble it all together it will never fit but it somehow gives us a snapshot of time. From civil unrest, feminism, class, youth, decay, hope, desire, need and expression.

I live in a City that is rich in culture and creativity, you should come to Portsmouth it’s pretty awesome. More and more this place is becoming ‘known’ for its creative scene. For some eye candy check out ‘Fuck Yeah Southsea’.

I run an art gallery ‘The Gold Room’, but it’s more than just a place to look at things hanging on a wall. It’s an idea, a meeting place and a culmination of very hard work from myself and Angelo Tirotto (all round dude and creator of smash hit comic No Place like Home). This month sees the launch of not only our underground alternative reading group ‘Book Club’ but a whole day celebrating zine culture on the 30th March with guest speakers, music performance and zines galore, exhibitions by Philippa Rice (until March 27th) and photographer Ali Tollervy and the Dark Horses project on the 29th.

It’s hard work and I often over reach myself but I am trying so very hard to add to the culture of this place.

Any how enough talk how about some pictures?

Billie Rae 

both images: Claire Sambrook

Bored of Southsea

ALL CAPS Portsmouth Map

For awesome bands Champagne Justice put on the best nights!

Things and People interview.

Late last year I came across this wonderful project Things and People the images with accompanying stories make for an engaging combination. I decided to contact the artist behind the project for an interview.
1. How did you conceive the idea of ‘Things & People’?
The project was really a happy accident. I’m from a family of shop keepers, my mum’s shop celebrated its 50 anniversary this year. My elder sister has a shop which had its 10th anniversary in 2009. We produced a small book to thank customers and give to the press. In it I wanted to celebrate independent retailing, to show the relationship between my sister as a shop keeper with her customers. This is something I was brought up with, my mum really knows her customers – their size and shape, their preferences, bits about their lives, my sister Victoria has this same knowledge. I thought it would be lovely to photograph a customer for every year that the shop had been open and the object that they’d bought that year. My sister effortlessly reeled off ten customers, what they’d bought and when. Most of them were based in Winchester, I’d recently moved back from the states and it was great to get on my bike again and cycle around a small city meeting people and photographing them. I enjoyed every aspect of it, chatting over a cuppa about what they’d bought, shooting and then editing the pair of images to use. I loved it so much I didn’t want it to end – so thingsandpeople began.

2. How long has the project been running?
It’s been going for just over two years with one posting per week.

3. Are there any objects or people that stand out to you from all your interviews?
They’re all very different which makes it hard to choose and is partly why I love them as a collection, I love the breadth (click on images for a link to the text), from silly –

to poignant –

to sad and moving –

to remarkably coincidental –
4. Whats your background, did you study at art school?
Yep, an epic stint at various art schools, six years in all. I graduated from St Martins, took a year out and went to the Royal College of Art for my MA.

5. Have you or do you intend to exhibit ‘Things & People’?
I’ve not exhibited it, it’s more about stories than anything else. I think maybe a book before an exhibition.

6. Do you have any other projects on the go at the moment or plans for future projects?
As far as plans outside of my real job – I want to do another installation for End of the Road festival this year, in 2011 I made a series of bicycle powered washing lines! I want to keep working with my photographer friend Sara Morris, we’ve done a bunch of stuff together – I have an idea, prop, style and art direct and she lights beautifully and photographs. Our first project next year is for 100% Design.

7. This is cliche I know but do you have a ‘thing’ that means a lot to you?
I have lots of things that mean lots to me but a set of 60s Melamine cups and saucers aggregate a series of stories for me. My younger sister was getting married and my elder sister and I went to Covent Garden to buy flowers for the wedding. The stall holders were very funny, there was lots of silly shouted banter between them – ‘Kev, your Viagra’s come in, shall I bring it over?’. So I have this lovely memory of buying flowers with my giggling elder sister. We got home and had to empty out any receptacle we could find to keep the flowers fresh, the dustbin, pots and pans and a big cow creamer that my mum climbed up to reach from a high shelf. She shrieked – inside was a Christmas present for me that she’d hidden so well that she’d lost it for two years. I love that my mum knew that I would adore this red and white plastic cup and saucer set and I love that she found it in an old charity shop. I also love that the cups themselves tell a story, two of them have a tea tide mark and two are immaculately unstained, I imagine an old couple who didn’t have people over and just used the same two cups for themselves over years.

8. Do you invite people to submit there objects to you?
I’d be very happy to photograph anyone, it is more a story site, so the monetary value or aesthetic value of the objects is less important than the narrative attached. A good story is really what I’m after.
Artists journey…
After college I worked at a design company called Pentagram for four years, I loved it so much I was worried I’d never leave so I booked a ticket to Australia and travelled around for three months. Back home I had an abortive attempt at launching a magazine with an old friend, I then took a job as Art Editor for Time Out in the hope that I’d learn enough to make a better job of launching our own magazine – I learnt lots from my fantastic Art Director for a few months before he left but I discovered that I wanted to do more than editorial design. I freelanced for a bit then got a job at Apple in California. I had a great life in San Francsico for four years. Four years was enough to make me hanker for home and broader work than I’d produced at Apple. I freelanced and did my own work for four more years before another happy accident landed me a job as a Creative Director at Wolff Olins – I went in to talk to their designers about my work, including thingsandpeople and they suggested I come in for an interview.